PRINT INFORMATION
My photographic prints are created to the highest archival standards, ensuring each piece reflects both visual elegance and enduring quality. Handcrafted to order and personally inspected, they are produced with precision and care—using museum-grade materials and techniques trusted by galleries and collectors worldwide.
Archival Pigment Printing
All prints are produced using archival pigment inks, capturing the subtle nuances of each photograph with exceptional tonal range, colour accuracy and detail. From delicate highlights to rich blacks, this printing process ensures faithful reproduction and excellent longevity when displayed and cared for appropriately, preserving the integrity of the work for generations.
Museum-Grade Papers
Prints are produced on fine art papers by Hahnemühle and Canson, two of the world's leading paper makers. These acid- and lignin-free papers are selected for their archival properties and ability to complement the individual characteristics of each photograph.
Depending on the artwork, prints are made on either a matte or pearl finish paper. Matte papers offer a soft, velvety surface well-suited to delicate tonal work, while pearl papers feature a gentle sheen that enriches colour and depth without gloss.
Editioned & Authenticated
Unless specifically noted works are produced in limited editions of 22 plus 3 Artist Proofs. The edition size is shared across all prints regardless of the sizes sold, available in the following formats:
Studio Edition - 61 cm x 41 cm / 41cm x 41cm (24 × 16" / 16” x 16”)
Collector Edition - 91 cm x 61cm / 61cm x 61 cm (36 × 24" / 24” x 24”)
Gallery Edition - 122cm x 81 cm / 81cm x 81cm (48 × 32" / 32” x 32”)
Exhibition Edition - 152cm x 102 cm / 102cm x 102cm (60” x 40” / 40” x 40”)
Museum Edition - 183cm x 122cm / 122cm x 122cm (72” x 48” / 48” x 48”)
Some of the images may not be offered in all sizes. Custom sizes may be requested and will be included within the stated edition limits.
Each print is signed and numbered, and is accompanied by a hand-signed Certificate of Authenticity. I recommend storing the certificate separately from the artwork.
All listed dimensions refer to the image area. Some images may vary on the smaller length. Each print includes a white border beyond the stated size to allow for signature placement and presentation flexibility when framing.
Caring for Your Print
To preserve the longevity and appearance of your fine art print, I recommend framing it using UV-protective glass or acrylic. Avoid displaying your artwork in direct sunlight or areas of high humidity. With proper care and presentation, your print will remain a lasting and beautiful piece for decades to come.
Payment Options
Collecting artwork is a considered decision, and I understand that clients may prefer flexibility when it comes to payment. I’m happy to offer payment plans on selected works, allowing you to pay in agreed instalments rather than all at once. Payment plans are arranged directly through the studio and tailored on an individual basis. Once the final instalment has been received, your artwork will be prepared and dispatched in the usual way.
If you’d like to explore this option, please feel free to get in touch and we can discuss what might work best for you. All conversations about payment are informal and without obligation. You’re very welcome to ask questions, explore options, or simply take time to decide.
A personal viewing service
If you’d like to see how a piece might live in your space, I offer a personalised visualisation service. You’re welcome to send me a photograph of your wall and I can create a simple mock-up of the work within your own setting, helping you consider scale, placement, and overall presence.
This is a supportive step to help you feel confident in your choice, with no obligation to purchase.
What to include
a clear photograph of the wall
the width and ceiling height of the wall
the name of the artwork and preferred size(s)
You can request a visualisation by email or as part of a short call if you’d like to talk things through.
Giving back
My work is rooted in the natural world and it is important to me that each piece collected contributes in a tangible way to the landscapes that inspire it. For every artwork collected, I make a donation to Just One Tree, supporting reforestation and ecosystem restoration projects around the world.
JUST ONE Tree plants trees in regions hit hardest by deforestation, such as Madagascar, Haiti, or Nepal — restoring biodiversity, supporting community livelihoods, and combatting climate change.
Their work also reaches beneath the surface of the sea, restoring ocean forests like kelp and seagrass, which are vital carbon sinks. Through education initiatives like JUST ONE Tree Day, they bring climate awareness into schools — helping shape a generation of planet-conscious thinkers.
You can find out more about their work at justonetree.life